In the News

Tuesday, March 26, 2019
Boston Globe

Tony Award-winning triple threat Sutton Foster is adding another honor to her impressive list of accomplishments. Cathy Young, the executive director of Boston Conservatory at Berklee, will present Foster with an honorary doctor of music degree during the conservatory’s commencement ceremony on May 11.

Tuesday, March 26, 2019

The two-time Tony winner, who will return to Broadway in 2020, will be presented with the doctorate in May.

Saturday, March 23, 2019
Opera Wire

Alumna Wendy Bryn Harmer (B.M. '03, voice) discusses Wagner’s music, her roles, "Wagnerians", and the Met’s monstrous opera machine (Agetha).

Monday, February 11, 2019
Opera Wire

Aluma Gabriella Reyes (B.M. '16, voice) has been selected as the recipient of the 2019 Hildegard Behrens Foundation Humanitarian Award.

Friday, February 1, 2019
Boston Globe

Director Nathan Troup and conductor Ryan Turner (M.M. '98, musical theater) discuss the Conservatory's upcoming production of Hydrogen Jukebox.

Thursday, December 13, 2018
Lincoln Center

Conservatory Alumna Gabriella Reyes (B.M. '16, voice) named 2019 Lincoln Center Emerging Artist by the Metropolitan Opera.

Friday, November 9, 2018

Conservatory alumna Anne Maguire (B.M. '12, voice) discusses her experience as a Young Artist in the prestigious Merola Opera Program. Established 61 years ago, the Merola Opera Program has grown to be one of the most distinguished in the world.

Monday, October 8, 2018

Alumna Kayley Hill (B.F.A. '12, musical theater) is a contestant on NBC's The Voice. Her rendition of Fleetwood Mac's "Gold Dust Woman" dazzled the judges during her blind audition.

Saturday, October 6, 2018
Boston Lyric Opera

Conservatory alumna Melanie Bacaling (M.M. '15, voice) and faculty member Nathan Salazar have been selected as emerging artists at Boston Lyric Opera for 2018–2019.

Thursday, September 13, 2018
Boston Globe

Nicholas Christopher (associate alumnus '12, musical theater) talks with the Boston Globe about playing Aaron Burr in the touring production of Hamilton, which recently opened its Boston run at the Boston Opera House.

Monday, June 25, 2018
The New Yorker

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