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Boston Conservatory’s production of the Benjamin Britten opera—playing at the Huntington Theatre April 18 to 21—adopts a retro-futuristic style.

Benjamin Britten’s opera adaptation of the Shakespearean comedy will run from April 18 to 21.

From performers to politicians and dancers to doctors, alums attest to the transferable power of Conservatory training.

The Center Stage performance of Emmanuel Chabrier’s opéra bouffe will be conducted by Andrew Bisantz, with stage direction by Nathan Troup.

Drawing from a broad range of professional expertise, the new faculty members will teach courses in hip-hop, ballroom dance, musical theater, cello performance, core music studies, and commercial dance industry skills.

This year, students from the Voice/Opera Department learned from a roster of top-tier visiting artists, including Viewpoints proponent Anne Bogart, Grammy-nominated baritone Stephen Powell, vocal acoustics expert Kenneth Bozeman, and Metropolitan Opera soprano Karen Slack.

Mozart’s beloved opera will be performed at the Conservatory for the first time since 2016.

Muñoz reflects on the moment in his youth that hooked him on opera, the key mentors who shaped his professional journey, and what excites him most about Boston Conservatory and its Voice Department.

Opera alum Eric Ferring talks about his debut solo album, produced by Boston Conservatory voice teacher Rebecca Folsom.

The premier series will feature four performances showcasing the Conservatory’s student talent across dance, music, and theater.