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The musical is a love letter to living your dream, roasting everyone on the political spectrum, and the awesomeness of the 1980s. (Spoiler alert: Yeltsin ends communism.)
New hires include Metropolitan Opera soloist Sandra Piques Eddy, As One composer Laura Kaminsky, and UIA Talent Agency Vice President Shawn Marie Jeffery.
Set designer Evan Adamson’s model for A Midsummer Night’s Dream
Boston Conservatory’s Center Stage production of the Benjamin Britten opera—playing at the Huntington Theatre April 18 to 21—adopts a retro-futuristic style.
Drawing from a broad range of professional expertise, the new faculty members will teach courses in hip-hop, ballroom dance, musical theater, cello performance, core music studies, and commercial dance industry skills.
Acclaimed director Anne Bogart (right) provides feedback to soprano Sarah DeYong (left) during a Viewpoints master class.
This year, students from the Voice/Opera Department learned from a roster of top-tier visiting artists, including Viewpoints proponent Anne Bogart, Grammy-nominated baritone Stephen Powell, vocal acoustics expert Kenneth Bozeman, and Metropolitan Opera soprano Karen Slack.