In the News

Alum Callie Chapman (B.F.A. '02, contemporary dance) shares her experience learning at the Conservatory and having a successful professional arts career in the Greater Boston area.

A profile of alum Leroy "Slam" Stewart's life, notable achievements in the arts, and connection to Binghamton, New York.

Chair of Composition, Contemporary Music, and Core Studies Jonathan Bailey Holland is featured by Colorado Public Radio as a "contemporary Black composer you should know."

Alum Kelly Corcoran (B.M. '99, voice) has been appointed as interim artistic advisor for the Lexington Philharmonic in Kentucky. 

Boston Conservatory at Berklee alumna Shelbie Rassler (B.M. '20, composition) appeared on WLRN-FM to discuss her work on a video for the inaugural festivities. 

Alum Danny Greenberg (B.F.A. '14, musical theater) discusses his path to a professional arts career and experience being a member of New York-based band Bridges & Tunnels.

Assistant Professor of Theater Dan Shore is featured by the Washington Post as one of the top 21 innovative composers and performers to watch for 2021.

Current student Caroline Jewell (B.F.A. '21, contemporary dance) shares her experience learning remotely and her excitement for the upcoming hybrid spring semester.

Assistant Professor of Voice Jessye DeSilva shares their thoughts on the importance of diversity and representation in the entertainment industry.

SpeakEasy Stage Company, founded and artistic directed by Professor of Theater Paul Daigneault, announces its 30th anniversary season, which features the premiere of 'TJ Loves Sally 4 Ever' in partnership with Boston Conservatory and directed by Assistant Professor of Theater Pascale Florestal. 

Conservatory alum and Berklee Institute for Arts Education and Special Needs teacher Miles Wilcox (M.M. '14, music education) shares evidence on how music classes benefit children with Autism Spectrum Disorder.

Chair of Composition, Contemporary Music, and Core Studies Jonathan Bailey Holland shares his thoughts on the importance of inclusive programming and the future of composition education.