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Boston Conservatory at Berklee presents Natasha, Pierre & The Great Comet of 1812, an electropop opera based on a scandalous slice of Leo Tolstoy’s War and Peace.
Boston Conservatory at Berklee presents Natasha, Pierre & The Great Comet of 1812, an electropop opera based on a scandalous slice of Leo Tolstoy’s War and Peace.
Boston Conservatory at Berklee presents Natasha, Pierre & The Great Comet of 1812, an electropop opera based on a scandalous slice of Leo Tolstoy’s War and Peace.
Boston Conservatory at Berklee presents Natasha, Pierre & The Great Comet of 1812, an electropop opera based on a scandalous slice of Leo Tolstoy’s War and Peace.
Boston Conservatory at Berklee presents Natasha, Pierre & The Great Comet of 1812, an electropop opera based on a scandalous slice of Leo Tolstoy’s War and Peace.
Boston Conservatory at Berklee presents Natasha, Pierre & The Great Comet of 1812, an electropop opera based on a scandalous slice of Leo Tolstoy’s War and Peace.
Dan Callaway and Scott Nicholas share repertoire from Henri Duparc, Gabriel Fauré, Jules Massenet, Jacques Brel, Boublil and Schönberg, and Charles Dumont.
A tale told by a handful of actors, some blocks, and some furniture, Bear’s Den is a glimpse into a shattered family trying to piece itself back together.
A tale told by a handful of actors, some blocks, and some furniture, Bear’s Den is a glimpse into a shattered family trying to piece itself back together.
A group of friends go on a camping trip in the middle of the woods. Their campsite of choice? Bigfoot’s stomping ground. Will all of them survive the night?