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Musical theater voice faculty member Jessye DeSilva brings her perspective as a woman of trans experience to repertoire from the musical theater canon.
Boston Conservatory at Berklee presents Robert O’Hara’s Good Breeding, an adaptation of the Greek Oresteia that shifts the action to a decadent, hypnotic world evoking New York’s infamous Studio 54.
Boston Conservatory at Berklee presents Robert O’Hara’s Good Breeding, an adaptation of the Greek Oresteia that shifts the action to a decadent, hypnotic world evoking New York’s infamous Studio 54.
Boston Conservatory at Berklee presents Robert O’Hara’s Good Breeding, an adaptation of the Greek Oresteia that shifts the action to a decadent, hypnotic world evoking New York’s infamous Studio 54.
Boston Conservatory at Berklee presents Robert O’Hara’s Good Breeding, an adaptation of the Greek Oresteia that shifts the action to a decadent, hypnotic world evoking New York’s infamous Studio 54.
Students in the Theater Division’s Advanced Songwriting class (part of the songwriting specialization) perform a concert of new works accompanied by a live band.
From the Tony Award–winning team of Mark Hollmann and Greg Kotis comes Urinetown, a wickedly funny, razor-sharp satire of corporate greed, social irresponsibility, and musical theater itself.
After a set of collegiate twins lose their mother to suicide, they (along with two of their friends) leave their school to go to “The Professors’” old home they all call the library.
After a set of collegiate twins lose their mother to suicide, they (along with two of their friends) leave their school to go to “The Professors’” old home they all call the library.
Boston Conservatory presents a new musical written by Katya Stanislavskaya and directed by Ilana Ransom Toeplitza, adapted from both The Shadow, a fairytale by Hans Christian Anderson, and Ten’ (The Shadow), a 1940 work by the Soviet playwright Eugene Schwartz.