Angela M. Farr Schiller

Position
Associate Professor of Theater
Affiliated Departments

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My work is ultimately rooted in revealing the ways that performance can be utilized as a meaningful tool for critical thinking, social justice, and the development of empathy and compassion for the human experience.

Angela M. Farr Schiller, Ph.D., joined the Conservatory in 2022 and is an associate professor.

Dr. Schiller is an Emmy Award–winning director (2021), and a multiple award-winning dramaturg, educator, and scholar. As a dramaturg, she has worked on numerous productions, including the West Coast premiere of Confederates by Dominique Morisseau under the direction of Nataki Garett at the Tony Award–winning Oregon Shakespeare Festival. Additionally, she works as a dramaturg in residence with the Atlanta-based Working Title Playwrights (WTP), the leading new play development organization in the Southeast. As a director, her production of Dreamgirls was nominated for six (San Francisco) Theatre Bay Area Awards including Outstanding Direction of a Musical and Outstanding Production of a Musical (2013), and her production of In the Red and Brown Water won an Outstanding Director Award (2016) from the Kennedy Center College Theater Festival. Her televised production of The Georgia High School Musical Theatre Awards won an Emmy Award (2021) for Outstanding Special Coverage Event. 

As a scholar, Dr. Schiller has presented her research on the intersections of race and performance at Performance Studies International (PSi), the American Society for Theatre Research (ASTR), Association of Theatre in Higher Education (ATHE), and the International Society for the Oral Literatures of Africa (ISOLA). Her most recent published book projects are The Methuen Drama Book of Trans Plays (Bloomsbury, 2021), nominated for a national Lambda Literary Award, and Troubling Traditions: Canonicity, Theatre, and Performance in the U.S. (Routledge, 2022), recipient of the Association of Theatre in Higher Education (ATHE) national award for Outstanding Edited Volume (2024), as well as an essay featured in the international journal Modern Drama entitled “Touching Back While Black: Self-Defense and the Politics of Black U.S. Citizenship in Paul Green’s In Abraham’s Bosom” (2023). She served as a historical fashion consultant for the national touring exhibit Clothes Story and was featured in the promo video which aired during the Super Bowl on TBS to over 13 million viewers (2024). Recently, Dr. Schiller gave the opening night talk for the Boston Symphony Orchestra’s concert version of the musical Ragtime, entitled “Let Them Hear You: Ragtime and the Politics of Race on Stage” at Tanglewood (2023), and followed that up with a talk on Josephine Baker entitled “Black Voices in Cabaret” (2024). She is presently serving as the co chair of the American Society for Theatre Research’s (ASTR) annual conference in Seattle (2024). Currently, she has been commissioned to coedit upcoming volumes two and three of The Methuen Drama Book of Trans Plays (Bloomsbury, 2025, 2026).

Dr. Schiller received her B.A. in theater from the University of California, Santa Cruz, where she completed her final year of study at the University of Cape Town in South Africa. She also studied at the University of Ghana in Accra, Ghana, and the University degli Studi di Siena, Italy. She received her M.A. in Africana studies from the Department of Social and Cultural Analysis at New York University and completed her Ph.D. in theater and performance studies at Stanford University in Palo Alto, California.

Career Highlights
  • Commission from Bloomsbury Publishing (UK) to co-edit the Methuen Drama Book of Trans PlaysVolume 2 (2025) and Volume 3 (2026)
  • Co-chair of American Society for Theatre Research National Conference, “Ecologies of Time & Change,” Seattle (2024)
  • Boston Symphony Orchestra (Tanglewood) Public Lecture, “Josephine Baker: Black Voices in Cabaret” (2024)
  • Historical Fashion Consultant for national “The Clothes Story Exhibit” (2024). Featured in the promo video which aired during the Super Bowl on TBS to over 13 million viewers. 
  • Book chapter, “Finding Wholeness and Community in the Academy: Tales from a Sister Circle” in the edited volume The Undivided Life: Faculty of Color Bringing Our Whole Selves to the Academy (IAP, 2024) Boston Symphony Orchestra opening night lecture, “
  • Boston Symphony Orchestra (Tanglewood) Public Lecture, “Let Them Hear You: Ragtime and the Politics of Race on Stage” (2023)
  • “Touching Back While Black: Self-Defense and the Politics of Black U.S. Citizenship in Paul Green’s In Abraham’s Bosom” in the international journal Modern Drama (2023)
  • Troubling Traditions: Canonicity, Theatre, and Performance in the U.S. (Routledge, 2022)
  • The Methuen Drama Book of Trans Plays (Bloomsbury, 2021)
Awards
  • Outstanding Edited Volume Award from the national Association of Theatre in Higher Education (ATHE) for Troubling Traditions: Canonicity, Theatre, and Performance in the U.S. (Routledge) (2024)
  • National Lambda Literary Award Finalist for The Methuen Drama Book of Trans Plays vol. 1 (2022)
  • Emmy Award Nomination—director and executive producer, televised production of the Georgia High School Musical Theatre Awards (2022)
  • Emmy Award Recipient—director and executive producer, televised production of the Georgia High School Musical Theatre Awards (2021)
  • Reiser Lab Award—Dramaturgy (2019)
  • Reiser Lab Award—Dramaturgy (2017)
  • Kennedy Center Outstanding Director Award—director, In the Red & Brown Water (2016)
  • Mellon Dissertation Prize for Outstanding Dissertation—The Choreography of Jim Crow: Race, Performance, and the Politics of Touch (2015)