Due to social distancing guidelines in relation to COVID-19, the Conservatory is offering some auditions for the 2020-2021 academic year in an online format.
Applicants to the B.F.A. in musical theater program must submit a pre-screen audition to be considered for a live audition. Pre-screen materials must be uploaded online via GetAcceptd. Details will be sent upon submission of your application. If invited for a live audition, applicants should prepare the live audition requirements as listed below.
- Pre-screens received by the November 1 deadline will receive results by mid to late November
- Pre-screens received by the December 1 deadline will receive results by mid to late December
- Pre-screens received after the deadline will be considered on a case-by-case basis
Those applying for a B.F.A. in contemporary theater do not require a pre-screen audition. Applicants can schedule and prepare a live audition according to the requirements listed below.
B.F.A. Musical Theater only (M.F.A. does not pre-screen)
At Boston Conservatory at Berklee, we are radically redefining theater education by cultivating authenticity, agency, and diversity in all forms. We are interested in originality and individuality, not types. We welcome students with diverse backgrounds, identities, and experiences to audition, and to ensure access, we participate in the 2020-2021 Musical Theatre Common Pre-Screen process.
Each piece should be filmed/uploaded as a separate piece of media. No continuous videos please.
Introduction Video (Required)
Please begin by introducing yourself, your pronouns (if you choose), and share with us why you are interested in attending Boston Conservatory at Berklee. Time limit: 1 minute.
Students should prepare two contrasting pieces. We would like you to prepare Option A from the Common Pre-Screen process:
- One song should be a ballad and one song should be an uptempo
- One song should be written prior to 1970. This song can be either the uptempo or the ballad (student’s choice).
- One song should be written after 1970 and contrast the style of the first (can include jukebox musicals)
- Each song file should be 60-90 seconds (this time limit includes the slate at the beginning of the piece and is strictly adhered to; please do not upload media files longer than 90 seconds)
- Students must sing to live or recorded accompaniment; no a cappella singing
- Songs should be filmed in a 3/4 shot, which means the top of the head to the knees should be visible in the frame
We would like you to prepare Option A from the Common Pre-Screen process:
- One 60-90 second contemporary monologue (written during the 20th Century-present) from a published play. This time limit includes the slate at the beginning of the piece and is strictly adhered to; please do not upload media files longer than 90 seconds.
- The contemporary monologue should be filmed in a “close-up” shot which means the top of the head to the chest should be visible in the frame
- Monologues cannot be from musicals, television shows, or movies
- Each monologue file should be 60-90 seconds in length (this time limit includes the slate at the beginning of the piece; please do not upload media files longer than 90 seconds)
Dance or Wild Card (Optional but recommended)
- You are invited to submit an additional video that reveals more information about your unique interests, skills, and personality. Students with dance training or experience (ballet, jazz, tap, hip-hop, Salsa, South Asian, folk, swing, etc.) are especially encouraged to do so. “Wild card” examples may include playing an instrument, performing a self-written song or monologue, rap, acrobatics, stand up comedy, spoken word, magic, drag, impersonations, etc.
- Time limit: 1 minute.
Live Audition Requirements
For B.F.A. and M.F.A. Musical Theater Applicants
Due to social distancing guidelines in relation to COVID-19, the Conservatory is offering some auditions for the 2020-2021 academic year in an online format. Audition requirements for singing/acting for an online audition are the same as those for in-person auditions. The online audition format for the dance call requires pre-recorded material and a live online component. Only if you are unable to participate in the online audition may you request to audition entirely by video recording.
Boston Conservatory at Berklee is committed to providing an enjoyable and valuable in-person audition experience. Your audition will include acting, singing, and dance components. The acting and singing portion will be combined in one session. You may choose to perform some of the same material from your pre-screen, or different material. There is no musicianship/theory exam or sight-reading at the auditions. Please bring two copies of your headshot and résumé to your audition.
Online and live audition registration is available on a first-come, first-served basis as applications are submitted. We audition in multiple cities nationwide. In the event that you are unable to attend a live audition due to space availability, we will accept a recorded audition.
This is your opportunity to audition us too. If you come to Boston, your day will include an information session with the Dean of Theater, a Q&A with current students and faculty, and a campus tour. Please let us know if we can provide advice about accommodations or restaurants. If you are staying overnight, we are happy to recommend Boston area theater productions which may feature our faculty, students, or alumni.
Musical theater applicants are asked to prepare two contrasting monologues: one contemporary monologue (written after 1970) and one classical or verse monologue (Shakespeare, Moliére, Greek drama, etc). In choosing your monologues, we recommend you select material that reflects your own theatrical interests and values, and monologues that are objective-driven with characters close to your age. Your choice of material will help us get to know you. You will have three minutes to perform both monologues.
Musical theater applicants are asked to prepare two contrasting songs from the musical theater and pop/rock repertoires, one ballad and one uptempo. In choosing your material we recommend you:
- Select material that you enjoy performing and reflects your personality
- Select songs that showcase your unique vocal quality, phrasing, and lyric interpretation
- Select songs that express a character’s feelings and emotional life
- Avoid long instrumental introductions leading into songs
- Keep each song to two minutes, preferably 32 bars (a verse and a chorus)
Applicants must bring pre-recorded accompaniment (no CDs permitted). We will provide speakers and an auxiliary plug for your device. There will not be a CD player or piano available in the audition room. Again, a four-minute time limit for the total singing portion of the audition.
After your acting/singing audition, the audition panel will then ask you a few informal questions so we can get to know you better.
Musical theater applicants will learn combinations in diverse musical theater styles, including ballet and jazz, in a 90-minute master class format. All levels of dance experience are welcome. Applicants should wear comfortable attire that allow for a freedom of movement such as:
- Unitard or leotard, dance pants or dance skirts
- Solid-colored shirt or tank top
- Yoga wear and/or athleisure
- Dance shoes (ballet slippers, character shoes, jazz shoes) are recommended. Sneakers will also be accepted. Tap shoes are not required.
The dance call requires pre-recorded material and a live online component. Upon registering for an audition, applicants will be provided with videos of a ballet and jazz combination along with audio recordings of the music from these combinations. Applicants must prepare and upload videos of themselves performing these combinations 48 hours prior to the date of their online audition. During the online audition, students will participate in an improv session with musical theater dance faculty member, Michelle Chassé, who will encourage you to show us what is unique about you.
Your resume may include any of the following:
- Experience in acting, dance, singing, and all forms of instrumental music and cultural performances
- Non-performance experience such as directing, choreography, songwriting, or playwriting
- Special skills such as spoken word, stand-up, drag, circus, dialects, rap, stage combat, etc.
- Previous training through master classes, workshops, after school programs, or summer programs
- Participation in community activities, social justice initiatives, internships, or volunteer work
Only if you are unable to participate in the online audition may you request to audition entirely by video recording. The requirements for recorded auditions are the same as the live auditions. The recording must be in video format and satisfy all the requirements listed above under Live Audition Requirements.
Bachelor of Fine Arts
No pre-screen required.
Due to social distancing guidelines in relation to COVID-19, the Conservatory is offering some auditions for the 2020-2021 academic year in an online format. Audition requirements for an online audition are the same as those for in-person auditions, with one additional prompt for online auditions. Only if you are unable to participate in the online audition may you request to audition entirely by video recording.
At Boston Conservatory at Berklee, we are radically redefining theater education by cultivating authenticity, agency, and diversity in all forms. We are interested in originality and individuality not types. We welcome applications from students with diverse backgrounds, identities, and experiences.
Our approach to contemporary theater training is unique, so our contemporary theater auditions are unique too. They include both an individual audition and a theater-making session so you have an opportunity to work collaboratively with other applicants. Because of this ensemble-driven approach, we don’t accept recorded auditions from applicants in the 48 contiguous states. International applicants or applicants residing in Hawaii or Alaska may request a recorded audition combined with an online interview. To schedule your audition, first submit an online application and then follow the steps in the confirmation email.
Boston Conservatory at Berklee is committed to providing you with a creative and enjoyable audition experience.
This is your opportunity to audition us too. If you audition in Boston, your day will provide an information session with the Dean of Theater, a Q&A with current students and faculty, and a campus tour. Please let us know if we can provide advice about accommodations or restaurants. If you are staying overnight, we are happy to recommend Boston area theater productions which may feature our faculty, students, or alumni.
Contemporary theater applicants are asked to prepare two contrasting contemporary monologues from plays written after 1970. We recommend monologues that are objective-driven with characters near your age-range. Applicants should be familiar with the full play and ready to discuss it. Your selection should reflect your own theatrical interests and values and help us get to know you. You will have three minutes to present your monologues.
The ensemble portion of the audition is a participatory workshop session in collaborative theater-making. Working in a small group, you will be guided through a series of exercises, improvisations, and devising techniques by a faculty member. Please wear movement clothes (t-shirts, leggings, warm up pants, etc.) for this portion of the audition; you will have the opportunity to change after your individual audition.
For online auditions, you are encouraged to create 30-seconds of creative, devised material with which to build in the ensemble workshop.
Following the individual and ensemble audition, each applicant will be interviewed privately by Conservatory faculty members. We would like to hear your ideas about theater and why you are interested in devising, ensemble-based training, physical theater, and attending Boston Conservatory at Berklee. We are also interested in learning more about your personal ambitions, causes, and artistic beliefs.
Please bring a photo (headshot preferred) and résumé to the audition. Because of the expansive focus of our program, you may include any of the following:
- Performance experience including acting, singing, spoken word, dance, rap, devising, etc.
- Special skills such as stand-up, martial arts, drag, circus, beatboxing, dialects, puppetry, stage combat, magic, etc.
- Musicianship (instrument or voice) and years of study
- Theater experience in directing, dance, choreography, playwriting, designing, tech and stage crew, etc.
- Artistic work or training in visual art, film and video, and creative writing
- Previous performance training such workshops, after school programs, festivals or summer programs
- Participation in social justice initiatives, advocacy, internships, or community volunteer work
Wild Card (optional but recommended)
We want to get to know your total creative self. Students who have interests in other forms of artistic expression (photography, visual art, video, music composition, dance) or any non-performance theater experience (writing, directing, design) are encouraged to share examples (a portfolio, a play, design sketches/photos, etc.). You may bring materials to the audition. These materials are not required for admission consideration.
The requirements for recorded auditions are the same as the live auditions. The recording must be in video format and satisfy all the requirements listed above under Live Audition Requirements. Recorded auditions for the B.F.A. in contemporary theater are accepted only from international applicants and applicants residing in Hawaii or Alaska. These auditions consist of a recorded ensemble composition, an online monologue audition, and an online interview. Students must be approved for a recorded audition by contacting the Office of Admissions at email@example.com. Upon approval, students will be connected with Professor of Theater, Theresa Lang, to arrange the audition and interview. Recorded auditions for Contemporary Theater must be completed by February 15.