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In this violent and wild-eyed blend of story and song, which harkens to Brechtian and Jacobean structure, a branded letter “A” becomes a provocative emblem of vengeance, violence, and sacrifice.
In this violent and wild-eyed blend of story and song, which harkens to Brechtian and Jacobean structure, a branded letter “A” becomes a provocative emblem of vengeance, violence, and sacrifice.
In this violent and wild-eyed blend of story and song, which harkens to Brechtian and Jacobean structure, a branded letter “A” becomes a provocative emblem of vengeance, violence, and sacrifice.
In this violent and wild-eyed blend of story and song, which harkens to Brechtian and Jacobean structure, a branded letter “A” becomes a provocative emblem of vengeance, violence, and sacrifice.
Boston Conservatory at Berklee presents Natasha, Pierre & The Great Comet of 1812, an electropop opera based on a scandalous slice of Leo Tolstoy’s War and Peace.
Boston Conservatory at Berklee presents Natasha, Pierre & The Great Comet of 1812, an electropop opera based on a scandalous slice of Leo Tolstoy’s War and Peace.
Boston Conservatory at Berklee presents Natasha, Pierre & The Great Comet of 1812, an electropop opera based on a scandalous slice of Leo Tolstoy’s War and Peace.
Boston Conservatory at Berklee presents Natasha, Pierre & The Great Comet of 1812, an electropop opera based on a scandalous slice of Leo Tolstoy’s War and Peace.
Boston Conservatory at Berklee presents Natasha, Pierre & The Great Comet of 1812, an electropop opera based on a scandalous slice of Leo Tolstoy’s War and Peace.
A tale told by a handful of actors, some blocks, and some furniture, Bear’s Den is a glimpse into a shattered family trying to piece itself back together.
A Cowboy in the Living Room is a dark comedy about encountering one’s own misogyny, assumptions, and self-loathing. Cottonmouth is a horror play about the serpentine history between two women.
Cupids’ Aro is a reframing of a classic Greek myth and an interrogation into compulsive heteronormativity, asking if one can still have a valid existence without a sole romantic pursuit?