Boston Conservatory at Berklee presents Natasha, Pierre & The Great Comet of 1812, an electropop opera based on a scandalous slice of Leo Tolstoy’s War and Peace.
Mozart’s comic romp about love and relationships rests on a bet about fidelity that is made among the male characters, propelling events into a sometimes riotous, sometimes moving escapade. It becomes an intense character study of its six players, and ends with a feminist twist.
Boston Conservatory at Berklee presents Natasha, Pierre & The Great Comet of 1812, an electropop opera based on a scandalous slice of Leo Tolstoy’s War and Peace.
An interdisciplinary portrait concert of music by Ryan Suleiman with musical performance and stage direction by C. Neil Parsons and his colleagues from the Fourth Wall Ensemble, this program embraces and extends the inherent theatricality of musical performance, with an emphasis on nature and the climate crisis.
