Center Stage is a curated performance collection that showcases the Conservatory's most dynamic and innovative performances in dance, music, and theater. Read more about Center Stage and explore this semester's selections.
This special performance featuring incredible new works by leading choreographers celebrates seniors of Boston Conservatory’s inaugural commercial dance class, who are graduating in spring 2025.
This special performance featuring incredible new works by leading choreographers celebrates seniors of Boston Conservatory’s inaugural commercial dance class, who are graduating in spring 2025.
Boston Conservatory at Berklee presents Natasha, Pierre & The Great Comet of 1812, an electropop opera based on a scandalous slice of Leo Tolstoy’s War and Peace.
Mozart’s comic romp about love and relationships rests on a bet about fidelity that is made among the male characters, propelling events into a sometimes riotous, sometimes moving escapade. It becomes an intense character study of its six players, and ends with a feminist twist.
Boston Conservatory at Berklee presents Natasha, Pierre & The Great Comet of 1812, an electropop opera based on a scandalous slice of Leo Tolstoy’s War and Peace.
Mozart’s comic romp about love and relationships rests on a bet about fidelity that is made among the male characters, propelling events into a sometimes riotous, sometimes moving escapade. It becomes an intense character study of its six players, and ends with a feminist twist.
Boston Conservatory at Berklee presents Natasha, Pierre & The Great Comet of 1812, an electropop opera based on a scandalous slice of Leo Tolstoy’s War and Peace.
Boston Conservatory at Berklee presents Natasha, Pierre & The Great Comet of 1812, an electropop opera based on a scandalous slice of Leo Tolstoy’s War and Peace.
Mozart’s comic romp about love and relationships rests on a bet about fidelity that is made among the male characters, propelling events into a sometimes riotous, sometimes moving escapade. It becomes an intense character study of its six players, and ends with a feminist twist.
Boston Conservatory at Berklee presents Natasha, Pierre & The Great Comet of 1812, an electropop opera based on a scandalous slice of Leo Tolstoy’s War and Peace.
Boston Conservatory Orchestra, conducted by Bruce Hangen, begins its season with a program featuring Scheherazade, the orchestral suite from the comic opera Rosenkavalier, and Mason Quinn’s "Toast of the Town" Overture.
Boston Conservatory at Berklee contemporary dance students perform a vibrant lineup of stylistically diverse world premieres choreographed by renowned guest artists Hope Boykin, Christina Chan, Norbert De La Cruz III, and Andrew Skeels, and by Boston Conservatory faculty members Junichi Fukuda and Daniel Pelzig, with Tommy Neblett as artistic director.
Boston Conservatory at Berklee contemporary dance students perform a vibrant lineup of stylistically diverse world premieres choreographed by renowned guest artists Hope Boykin, Christina Chan, Norbert De La Cruz III, and Andrew Skeels, and by Boston Conservatory faculty members Junichi Fukuda and Daniel Pelzig, with Tommy Neblett as artistic director.
Boston Conservatory at Berklee contemporary dance students perform a vibrant lineup of stylistically diverse world premieres choreographed by renowned guest artists Hope Boykin, Christina Chan, Norbert De La Cruz III, and Andrew Skeels, and by Boston Conservatory faculty members Junichi Fukuda and Daniel Pelzig, with Tommy Neblett as artistic director.
Boston Conservatory at Berklee contemporary dance students perform a vibrant lineup of stylistically diverse world premieres choreographed by renowned guest artists Hope Boykin, Christina Chan, Norbert De La Cruz III, and Andrew Skeels, and by Boston Conservatory faculty members Junichi Fukuda and Daniel Pelzig, with Tommy Neblett as artistic director.
