A high-octane dramatic comedy laden with homicidal fairies, nasty ogres, and ’90s pop culture, She Kills Monsters tells the story of Agnes Evans as she leaves her childhood home in Ohio following the death of her teenage sister, Tilly.
A high-octane dramatic comedy laden with homicidal fairies, nasty ogres, and ’90s pop culture, She Kills Monsters tells the story of Agnes Evans as she leaves her childhood home in Ohio following the death of her teenage sister, Tilly.
A high-octane dramatic comedy laden with homicidal fairies, nasty ogres, and ’90s pop culture, She Kills Monsters tells the story of Agnes Evans as she leaves her childhood home in Ohio following the death of her teenage sister, Tilly.
A high-octane dramatic comedy laden with homicidal fairies, nasty ogres, and ’90s pop culture, She Kills Monsters tells the story of Agnes Evans as she leaves her childhood home in Ohio following the death of her teenage sister, Tilly.
In this violent and wild-eyed blend of story and song, which harkens to Brechtian and Jacobean structure, a branded letter “A” becomes a provocative emblem of vengeance, violence, and sacrifice.
In this violent and wild-eyed blend of story and song, which harkens to Brechtian and Jacobean structure, a branded letter “A” becomes a provocative emblem of vengeance, violence, and sacrifice.
In this violent and wild-eyed blend of story and song, which harkens to Brechtian and Jacobean structure, a branded letter “A” becomes a provocative emblem of vengeance, violence, and sacrifice.
A tale told by a handful of actors, some blocks, and some furniture, Bear’s Den is a glimpse into a shattered family trying to piece itself back together.
A Cowboy in the Living Room is a dark comedy about encountering one’s own misogyny, assumptions, and self-loathing. Cottonmouth is a horror play about the serpentine history between two women.
Cupids’ Aro is a reframing of a classic Greek myth and an interrogation into compulsive heteronormativity, asking if one can still have a valid existence without a sole romantic pursuit?
Piggy Wants to Fly is a whimsical and heartfelt telling of the natural history of pigeons. Audiences will leave having seen—in full color—a bird they either typically hate or take for granted.
III is a 12-minute visualization of self-contradiction set to music. This short film is a canvas for the audience to relate and add their own experiences to.
