Drew Keeve (M.M. '24) presents works for solo viola and viola and violin, featuring Skye Darling, violin.
Repertoire
PAUL HINDEMITH: Sonate für Bratsche allein (1937)
I. Lebhafte Halbe
II. Langsame Viertel
III. Mäßig schnelle Viertel
Drew Keeve (M.M. '24), viola
DREW KEEVE: Improvisation on a Theme for Violin and Viola
Skye Darling (M.M. '24), violin
Drew Keeve (M.M. '24), viola
– Intermission –
J.S. BACH: Suite No. 5 in C Minor BWV 1011
I. Prelude
II. Allemande
III. Courante
IV. Sarabande
V. Gavotte I
VI. Gavotte II
VII. Gigue
VIII. Improvisation*
Drew Keeve (M.M. '24), viola
Program Notes
PAUL HINDEMITH: Sonate für Bratsche allein (1937)
Showcasing clever, idiomatic writing for the instrument, Hindemith’s fourth and final sonata for solo viola is eccentric. Letters written by the composer suggest that this composition was not fully notated at the time of its premiere, infusing well-organized motives with a sense of spontaneity. Of note, the second movement contains a pizzicato section. This technique will be executed under the arm to allow for more punctuated chords and "hammer-on" pitches, imitative of a guitar or other plucked instrument.
DREW KEEVE: Improvisation on a Theme for Violin and Viola
An exploration of a simple melody, this performance will feature metric, melodic, and harmonic improvisation. While free improvisation is an option for the performers, creative structure, pulse, and collaboration are paramount.
J.S. BACH: Suite No. 5 in C Minor BWV 1011
Suite No. 5, most commonly performed on cello in standard tuning, is given an original scordatura tuning with the uppermost A-string lowered to the sounding-pitch G. This instrumental alteration produces a darker, deeper color appropriate to the key of C minor and fully demonstrates Bach’s use of voicing and chord structure. Inspired by but not limited to the content of the suite, this performance will conclude with an improvisation that explores the unfettered potential of the scordatura viola.
Concert Services Staff
Senior Manager of Concert Services – Luis Herrera
Coordinator, Concert Services – Matthew Carey
Concert Production Manager – Kendall Floyd
Performance Technology Technicians – Sara Pagiaro, Goran Daskalov
Boston Conservatory thanks audience members for viewing this program information online. This paperless program saved 130 sheets of paper, 14 gallons of water, and 12 pounds of CO2-equivalent greenhouse gas emissions.
Streaming Live from Seully Hall
The event will appear here during its scheduled time.