Opera Innovators Series: Karen Slack and Scott Nicholas in Recital
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Internationally renowned soprano Karen Slack and Boston Conservatory faculty member Scott Nicholas (piano) present a performance of the album Beyond the Years, for which Slack won the 2025 Grammy Award for Best Classical Solo Vocal Album. This groundbreaking recording features superb renditions of 19 unpublished pieces written by composer Florence B. Price, the first African American woman to have a composition performed by a major orchestra.
Choral faculty member Steve Spinelli coproduced Beyond the Years in collaboration with ONEComposer, an organization he cofounded to provide a platform for the research, performance, and documentation of underrepresented composers’ lives and legacies.
Karen Slack is presented as part of Boston Conservatory at Berklee's Opera Innovators Series in partnership with the Boston Lyric Opera.
Program Information
Welcome Note
Founded in 1867, Boston Conservatory has stood as a bold experiment in access and artistry for more than 150 years—it was among the first schools in the US to admit women and people of color, the first to establish an opera program, and the first to offer a degree in musical theater. That spirit of innovation, inclusion, and excellence continues to guide us today.
In the Vocal Arts Department—home to the nation’s oldest opera training program—our community of singers, conductors, and educators pursues music with courage and purpose. Across 15 degree paths in vocal performance, opera, pedagogy, and choral arts, our students blend tradition with imagination, exploring both the classical canon and the boundary-pushing work of living composers.
The results of that exploration are profound. This past year alone, more than 10 of our students and alumni were named winners in the Metropolitan Opera Laffont Competition, alongside numerous other national and international accolades. Our vocal pedagogy graduates now enjoy a 100-percent job placement rate, leading programs in schools, studios, and universities across the globe. Others are performing, conducting, producing, researching, and innovating within and beyond the arts—each carrying Boston Conservatory’s values into the world.
This season’s calendar reflects the brilliance and vitality of this community. From our Opera Innovators Series featuring Riccardo Frizza, Karen Slack, Brenda Rae, and Anne Bogart, to our collaborations with luminaries such as Ricky Ian Gordon and Andrew Garland, to our choral programming and fully staged opera productions, every performance you attend is the culmination of countless hours of dedication, discovery, and collaboration. As you take in tonight’s program, I invite you to reflect on the impact that music and storytelling have on our shared humanity.
If you find yourself moved by what you hear tonight and wish to be part of our journey, I warmly invite you to reach out—either to our offices or to me personally. We would be delighted to connect with you, to share our vision, and to explore how your partnership can help us continue shaping the future of vocal artistry.
Thank you for your presence, your applause, and your belief in what we do.
With gratitude and excitement,
Dr. Isai Jess Muñoz
Chair, Vocal Arts Department
Boston Conservatory at Berklee
Repertoire
Traditional text
FRANZ SCHUBERT (1797–1828): “Gretchen am Spinnrade”
Text by Johann Wolfgang von Goethe
SCHUBERT: “Die LIebe hat gelogen”
Text by August von Platen
SCHUBERT: “Der Tod und das Mädchen”
Text by Matthias Claudius
FLORENCE PRICE (1887–1953): “The Dawn’s Awake”
Text by Otto Leland Bohanan
PRICE: “Bright Be the Place”
Text by George Gordon, Lord Byron
PRICE: “Ships That Pass in the Night”
Text by Paul Laurence Dunbar
PRICE: “I Remember!”
Text by Louise C. Wallace
PRICE: “Sacrament”
Text by Don Vincent Gray
PRICE: “Winter Idyl”
Text by David Morton
—INTERMISSION—
PRICE: “The Sum”
Text by Paul Laurence Dunbar
PRICE: “Beyond the Years”
Text by Paul Laurence Dunbar
PRICE: “There Be None”
Text by George Gordon, Lord Byron
PRICE: “Youth”
Text by Georgia Douglas Johnson
PRICE: “Spring”
Text by Florence Price
PRICE: “Pittance”
Text by Don Vincent Gray
PRICE: “What Do I Care For Morning”
Text by Helene Johnson
Texts and Translations
From Deux mélodies hébraïques (1914)
Text from an anonymous Yiddish source
English translation by Richard Stokes
Yithgaddal weyithkaddash scheméh rabba be’olmâ
May thy glory, O King of Kings, be exalted, O thou
Diverâ ’khire’ outhé veyamli’kh mal’khouté behayyé’khön,
who art to renew the world and resurrect the dead.
ouvezome’khôu ouve’hayyé de’khol beth yisraël
May thy reign, Adonaï, be proclaimed by us, the sons of Israel,
ba’agalâ ouvizman qariw weimrou: Amen.
today, tomorrow, forever. Let us all say: Amen.
Yithbara’kh Weyischtaba’h weyith paêr weyithromam
May thy radiant name be loved, cherished, praised, glorified.
weyithnassé weyithhaddar weyith’allé weyithhallal
May it be blessed, sanctified, exalted, thy name which soars
scheméh dequoudschâ beri’kh hou, l’êla ule’êla
above the heavens, above our praises, above our hymns,
min kol bir’khatha weschiratha touschbehatha
above all our benisons. May merciful heaven grant us
wene’hamathâ daamirân ah! Be’olma ah!
tranquillity, peace, happiness. Ah!
We ïmrou: Amen.
Let us all say: Amen.
FRANZ SCHUBERT (1797–1828): Gretchen am Spinnrade (1814)
Text by Johann Wolfgang von Goethe
English translation by Richard Stokes
Meine Ruh’ ist hin,
My peace is gone
Mein Herz ist schwer,
My heart is heavy;
Ich finde sie nimmer
I shall never
Und nimmermehr.
Ever find peace again.
Wo ich ihn nicht hab’
When he’s not with me,
Ist mir das Grab,
Life’s like the grave;
Die ganze Welt
The whole world
Ist mir vergällt.
Is turned to gall.
Mein armer Kopf
My poor head
Ist mir verrückt
Is crazed,
Mein armer Sinn
My poor mind
Ist mir zerstückt.
Shattered.
Meine Ruh’ ist hin,
My peace is gone
Mein Herz ist schwer,
My heart is heavy;
Ich finde sie nimmer
I shall never
Und nimmermehr.
Ever find peace again.
Nach ihm nur schau’ ich
It’s only for him
Zum Fenster hinaus,
I gaze from the window,
Nach ihm nur geh’ ich
It’s only for him
Aus dem Haus.
I leave the house.
Sein hoher Gang,
His proud bearing
Sein’ edle Gestalt,
His noble form,
Seines Mundes Lächeln,
The smile on his lips,
Seiner Augen Gewalt.
The power of his eyes,
Und seiner Rede
And the magic flow
Zauberfluss.
Of his words,
Sein Händedruck,
The touch of his hand,
Und ach, sein Kuss!
And ah, his kiss!
Meine Ruh’ ist hin,
My peace is gone
Mein Herz ist schwer,
My heart is heavy;
Ich finde sie nimmer
I shall never
Und nimmermehr.
Ever find peace again.
Mein Busen drängt sich
My bosom
Nach ihm hin.
Yearns for him.
Ach dürft’ ich fassen
Ah! if I could clasp
Und halten ihn.
And hold him,
Und küssen ihn
And kiss him
So wie ich wollt’
To my heart’s content,
An seinen Küssen
And in his kisses
Vergehen sollt’!
Perish!
FRANZ SCHUBERT (1797–1828): Die Liebe hat gelogen (1822)
Text by August von Platen
English translation by Richard Stokes
Die Liebe hat gelogen,
Love has lied,
Die Sorge lastet schwer,
Sorrow oppresses me,
Betrogen, ach! Betrogen
I am betrayed, ah, betrayed
Hat alles mich umher!
By all around!
Es rinnen helle Tropfen
Hot tears keep flowing
Die Wange stets herab,
Down my cheeks,
Laß ab, laß ab zu klopfen,
Beat no more, my heart,
Laß ab, mein Herz, laß ab!
Wretched heart, beat no more!
FRANZ SCHUBERT (1797–1828): Der Tod und das Mädchen (1817)
Text by Matthias Claudias
English translation by Richard Wigmore
DAS MÄDCHEN
THE MAIDEN
Vorüber, ach, vorüber!
Pass by, ah, pass by!
Geh, wilder Knochenmann!
Away, cruel Death!
Ich bin noch jung, geh, Lieber!
I am still young; leave me, dear one
Und rühre mich nicht an.
and do not touch me.
DER TOD
DEATH
Gib deine Hand, du schön und zart Gebilde!
Give me your hand, you lovely, tender creature.
Bin Freund und komme nicht zu strafen.
I am your friend, and come not to chastise.
Sei gutes Muts! Ich bin nicht wild,
Be of good courage. I am not cruel;
Sollst sanft in meinen Armen schlafen!
you shall sleep softly in my arms.
FLORENCE PRICE (1887–1953): The Dawn’s Awake
Text by Otto Leland Bohanan
The Dawn’s awake!
A flash of smoldering flame and fire
Ignites the East. Then, higher, higher,
O’er all the sky so gray, forlorn,
The torch of gold is borne.
The Dawn’s awake!
The dawn of a thousand dreams and thrills.
And music singing in the hills A pæan of eternal spring
Voices the new awakening.
The Dawn’s awake!
Whispers of pent-up harmonies,
With the mingled fragrance of the trees;
Faint snatches of half-forgotten song —
Fathers! Torn and numb, —
The boon of light we craved, awaited long,
Has come, has come!
PRICE: Bright Be the Place
Text by George Gordon, Lord Byron
Bright be the place of thy soul!
No lovelier spirit than thine
E’er burst from its mortal control
In the orbs of the blessed to shine.
On earth thou wert all but divine,
As thy soul shall immortally be;
And our sorrow may cease to repine,
When we know that thy God is with thee.
Light be the turf of thy tomb!
May its verdure like emeralds be:
There should not be the shadow of gloom
In aught that reminds us of thee.
Young flowers and an evergreen tree
May spring from the spot of thy rest:
But nor cypress nor yew let us see;
For why should we mourn for the blest?
PRICE: Ships That Pass in the Night
Text by Paul Laurence Dunbar
Out in the sky the great dark clouds are massing;
I look far out into the pregnant night,
Where I can hear a solemn booming gun
And catch the gleaming of a random light,
That tells me that the ship I seek is passing, passing.
My tearful eyes my soul’s deep hurt are glassing;
For I would hail and check that ship of ships.
I stretch my hands imploring, cry aloud
My voice falls dead a foot from mine own lips
And but its ghost doth reach that vessel, passing, passing.
O Earth, O Sky, O Ocean, both surpassing,
O heart of mine, O soul that dreads the dark!
Is there no hope for me? Is there no way
That I may sight and check that speeding bark
Which out of sight and sound is passing, passing?
PRICE: I Remember!
Text by Louise C. Wallace
Never shall the sun pour light on a yellow flow’r
But I see thy hair!
Never again September’s sky
but the blue of thine eyes returning;
Never, never the surging warmth of fire
Here on my hearthstone burning,
But I remember thee!
I remember thee and my desire!
PRICE: Sacrament
Text by Don Vincent Gray
I watched in awe as rumbling clouds
Dropped torrents on the prostrate earth
I waited half-afraid, half-proud
To watch the miracle, the miracle of birth
I waited, I waited, I wandered in the starry dark
To let its singing bear me up;
In dewy morning calm
I held communion in a lily’s cup.
PRICE: Winter Idyl
Text by David Morton
The dry-lipped grass curls back
And bares the pitted stones,
And the tree, in its new lack,
Bares, now, its angular bones.
Man looks—and looks away
From earth to a bleak sky,
Where, high above the day,
Where, high above the sky
The last geese, going by,
Pass the horizon’s rim;
And man, remembering where
A door will welcome him,
Turns in the darkening air,
And takes him there.
PRICE: The Sum
Text by Paul Laurence Dunbar
A little dreaming by the way,
A little toiling day by day;
A little pain, a little strife,
A little joy—and that is life.
A little short-lived summer’s morn,
When joy seems all so newly born,
When one day’s sky is blue above,
And one bird sings—and that is love.
A little sickening of the years,
The tribute of a few hot tears
Two folded hands, the failing breath,
And peace at last—and that is death.
Just dreaming, loving, dying so,
The actors in the drama go—
A flitting picture on a wall,
Love, Death, the themes; but is that all?
PRICE: Beyond the Years
Text by Paul Laurence Dunbar
I
Beyond the years the answer lies,
Beyond where brood the grieving skies
And Night drops tears.
Where Faith rod-chastened smiles to rise
And doff its fears,
And carping Sorrow pines and dies—
Beyond the years.
II
Beyond the years the prayer for rest
Shall beat no more within the breast;
The darkness clears,
And Morn perched on the mountain’s crest
Her form uprears—
The day that is to come is best,
Beyond the years.
III
Beyond the years the soul shall find
That endless peace for which it pined,
For light appears,
And to the eyes that still were blind
With blood and tears,
Their sight shall come all unconfined
Beyond the years.
PRICE: There Be None
Text by George Gordon, Lord Byron
There be none of Beauty’s daughters
With a magic like thee;
And like music on the waters
Is thy sweet voice to me:
When, as if its sound were causing
The charmed ocean’s pausing,
The waves lie still and gleaming
And the lull’d winds seem dreaming:
And the midnight moon is weaving
Her bright chain o’er the deep;
Whose breast is gently heaving,
As an infant’s asleep:
So the spirit bows before thee,
To listen and adore thee;
With a full but soft emotion,
Like the swell of Summer’s ocean.
PRICE: Youth
Text by Georgia Douglas Johnson
The dew is on the grasses, dear,
The blush is on the rose,
And swift across our dial-youth,
A shifting shadow goes.
The primrose moments, lush with bliss.
Exhale and fade away,
Life may renew the Autumn time,
But nevermore the May!
PRICE: Spring
Text by Florence Price
There are promise and pleasure and hope in the spring,
That beckon and reckon the future, I know.
The bud and the bee, swaying low on the lea;
The dove cooing late to his nesting mate.
In a dream of ecstasy.
There are laughter and magic and joy in the spring,
That capture, enrapture my heart, I know.
A lilt on the breeze, that is toss’d by the trees,
Which doth for me weave like a thrush at eve
A song of ecstasy.
Ah! There are madness and gladness and nothing of sadness.
That will me and thrill me and fill me, I know.
Life and its weal are to give and to feel
The soul that can ache, the heart that can break
With a pain of ecstacy.
PRICE: Pittance
Text by Don Vincent Gray
We have enough the gale that blusters at the door
And whips up froth along the shore is lost on us
The walls are thin, but warm within and held against the dim
We have enough though shelves be bare of things to eat,
The stove is cheery? With the heat which fills the house.
The love of brother cradles here and love is life and life is dear
We have enough.
PRICE: What Do I Care For Morning
Text by Helene Johnson
What do I care for morning,
For a shivering aspen tree,
For sun flowers and sumac
Opening greedily?
What do I care for morning,
For the glare of the rising sun,
For a sparrow’s noisy prating,
For another day begun?
Give me the beauty of evening,
The cool consummation of night,
And the moon like a love-sick lady,
Listless and wan and white.
Give me a little valley
Huddled beside a hill,
Like a monk in a monastery,
Safe and contented and still,
Give me the white road glistening,
A strand of the pale moon’s hair,
And the tall hemlocks towering
Dark as the moon is fair.
Oh what do I care for morning,
Naked and newly born—
Night is here, yielding and tender—
What do I care for dawn!
About the Artists
Her debut album, Beyond the Years: Unpublished Songs of Florence Price (Azica Records), won the 2025 Grammy Award for Best Classical Solo Vocal Album. Highlights of Slack’s 2024–2025 season included the nationwide tour of her new commissioning project, African Queens, a recital of new art songs by Jasmine Barnes, Damien Geter, Jessie Montgomery, Shawn Okpebholo, Dave Ragland, Carlos Simon, and Joel Thompson.
Scott Nicholas, vocal coach, has appeared throughout the US and internationally in solo and chamber performances. He has served as pianist for the Tanglewood Festival Chorus, the Three Irish Tenors, Minnesota Opera, Boston Lyric Opera outreach programs, the Concord Women’s Chorus, the Cambridge Community Chorus, and the Leontyne Price Vocal Arts Competition, and has been heard on WGBH-FM and WBUR-FM in Boston. Nicholas has served as music director and vocal coach for several organizations in New England, including Central Square Theater, Franklin School for the Performing Arts, Franklin Performing Arts Company, the Vergennes Opera House, and St. Michael’s Playhouse, Vermont. Nicholas is currently associate professor in the Vocal Arts Department at Boston Conservatory at Berklee and senior lecturer at Suffolk University, and serves on the faculty of Emerson College.
Concert Services Staff
Coordinator, Concert Services – Matthew Carey
Concert Production Manager – Kendall Floyd
Performance Technology Technicians – Sara Pagiaro, Goran Daskalov
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