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She Loves Me is one of musical theater’s most charming romantic comedies, capturing the magic of connection, the vulnerability of love, and the joy of discovering that the person you’ve been searching for might be right in front of you.
This performance has been selected as part of Boston Conservatory at Berklee’s 2026–2027 Center Stage collection.
She Loves Me is one of musical theater’s most charming romantic comedies, capturing the magic of connection, the vulnerability of love, and the joy of discovering that the person you’ve been searching for might be right in front of you.
This performance has been selected as part of Boston Conservatory at Berklee’s 2026–2027 Center Stage collection.
She Loves Me is one of musical theater’s most charming romantic comedies, capturing the magic of connection, the vulnerability of love, and the joy of discovering that the person you’ve been searching for might be right in front of you.
This performance has been selected as part of Boston Conservatory at Berklee’s 2026–2027 Center Stage collection.
She Loves Me is one of musical theater’s most charming romantic comedies, capturing the magic of connection, the vulnerability of love, and the joy of discovering that the person you’ve been searching for might be right in front of you.
This performance has been selected as part of Boston Conservatory at Berklee’s 2026–2027 Center Stage collection.
She Loves Me is one of musical theater’s most charming romantic comedies, capturing the magic of connection, the vulnerability of love, and the joy of discovering that the person you’ve been searching for might be right in front of you.
This performance has been selected as part of Boston Conservatory at Berklee’s 2026–2027 Center Stage collection.
David Adjmi’s play Marie Antoinette reimagines France’s most infamous queen through a striking contemporary lens, drawing sharp parallels between eighteenth-century France and today’s culture of fame, consumption, and spectacle.
Students from the studios of Angela Gooch and Monique Phinney perform works from musical theater and classical worlds, including several with a wicked theme.
Navigating conflict of Greek tragic proportions, Meet Me in the Bathroom —a new play by Cassie Seinuk – is narrated by a teenage Greek chorus of band geeks, cheerleaders, goths, skaters, jocks, and everyone in between. In the girls’ bathroom of a suburban high school, five teenagers are forced to reckon with their pasts as they begin to bleed into their hopes for the future.
Navigating conflict of Greek tragic proportions, Meet Me in the Bathroom —a new play by Cassie Seinuk – is narrated by a teenage Greek chorus of band geeks, cheerleaders, goths, skaters, jocks, and everyone in between. In the girls’ bathroom of a suburban high school, five teenagers are forced to reckon with their pasts as they begin to bleed into their hopes for the future.
Navigating conflict of Greek tragic proportions, Meet Me in the Bathroom —a new play by Cassie Seinuk – is narrated by a teenage Greek chorus of band geeks, cheerleaders, goths, skaters, jocks, and everyone in between. In the girls’ bathroom of a suburban high school, five teenagers are forced to reckon with their pasts as they begin to bleed into their hopes for the future.
Aniya Jones's In The World is Coming At You Fast, tells the story of a future playwright of America who happens to have no play, and realizes the difficulties of trying to escape the feelings of your past when time catches up to you all while facing an impending deadline.
Join Boston Conservatory at Berklee theater faculty member C. Neil Parsons for a variety show of solo storytelling, performance art, trombone interludes, and self-described “inarticulate nonsense."
Train to Cleveland with John Ruskin is a new play with music by Dan Callaway. A burnt-out PhD student boards a train home in 1997 and finds himself face to face with Victorian art critic John Ruskin. What starts as an argument about art becomes a reckoning with illness, love, and whether beauty can still reach someone who’s spent a lifetime trying to earn his worth alone.
Stephen Sondheim’s thrilling masterpiece blends gothic horror, macabre humor, and a soaring score. Presented in concert, this production strips the story to its essential elements—music, character, and narrative.